The hits and misses of the week.
Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.
'When you are crafting a story, it's always important to see how authentic that story is because if it is authentic and rooted, it will stand the test of time.'
The writers have smartly targeted several politicians without mentioning them, says Ramesh S.
Farah shoots with Karan and Manish... Look, who Amitabh has as his guests on KBC... Varun gives us Bhediya...
Joginder Tuteja takes a look at ghostbusters, who have made quite the impression.
The hits and misses of the week.
...But a comedy about Class Wars. Sreehari Nair tells us why.
Sukanya Verma looks at the various baap-beti equations depicted on the screen.
'It is a male-dominated show, but that does not mean that the female characters do not stand out.'
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
The hits and misses of the week.
The Dulquer factor is the only saving grace of this witless, charmless sham posturing as satire, feels Sukanya Verma.
Love was certainly in the air, as Bollywood's star couples celebrated Karva Chauth together.
'Life is so unpredictable.' 'Devastating beyond words.'
A look at the awards night.
'The most difficult thing in the world is to convince someone to put Rs 20 crore on your movie script.'
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